I am not a song writer, but I appreciate the ease with which well-written lyrics can fall off your tongue. During the second year of my creative writing degree, I got to experiment with a module that focused on song writing, and while not strictly my “thing”, I did really enjoy it.
This song was written in 2017, as part of that module, to the melody of First Day of My Life by Bright Eyes. It is supposed to illustrate all the small things that make up your perception of someone you love, all the small things you never thought of as special until you started associating them with your person. It is also about how even though a relationship may start off all exciting, like “fireworks and circus nights”, the safety and the comfort of the years may shape it into “October stars and Saturdays, and peppermint and quiet snow”, a quiet sort of every-day love.
Verse: This is a story about a boy, Who wished on cardamom and tea cups. He wondered the world without a map smelled like the city, danced like rain.
I got to hold him for one night, Strawberry breath and chilli chocolate. Thought I knew how to give him everything, Now I know I don’t know what that is.
Chorus: But I have learnt that I was wrong. You’re not the fireworks and circus shows I made you up as, no. You are October stars and Saturdays And peppermint And quiet snow oh oh.
Verse: If I could hold you one more time, I want to hear all of your stories. About rhubarb and sugar and blueberry jam And how it came to become you.
Talk about silver in your hair, And promises both held and broken. about choices and beauty and bitterness, and how we will grow old one day.
Chorus 2: I don’t want fireworks and circus nights, But blankets, slippers, plastic glasses, pillow forts and snowball fights. You are October stars and Saturdays and knowing it will be alright.
Oh oh oh.
A fun little experiment, where I tried my hands at something I very rarely do. I hope you’re having a wonderful day! -Andrea
I think I built you, formed you and designed you, drew you with green sharpie and the bricks of my pillow fort, sculpted you from cheap coffee and H&M basics, moulded you from a year’s worth of lazy Wednesday mornings, desperate for something to be mine.
On nights like this I press my back up against the wall. I let the edges of my bed indent my skin, the space is too small for my limbs and your nightmares.
If you’d let me, we’d stay up all night, and I’d paint galaxies on the back of your hands to remind you how inferior nightmares are. But I cannot wake you or make the swirls in your breath go away, so I shrink further back, I give you space. There is nothing I can do to make it better.
Instead, I place soft fingers on your back and write bright letters on the dark ceiling, for you to see in a dream. I turn to the moon for spelling and to the stars for punctuation, and wait for morning in silence.
The sound of family that haven’t seen each other for too long fills the living room. Bright smiles, Christmas socks and the smell of gingerbread cookies in the oven. Gingerbread dough is snuck into mischievous mouths, tongues stuck out at whoever dares point it out – quick fingers coated in flour and butter, sticky but sweet tasting, just how these December days are supposed to be. It’s the annual family gingerbread day, where we bake enough cookies to carry us through the winter; when the house smells like cinnamon and cloves and ginger and dark, shining syrup; when the stereo churns out Christmas song after Christmas song, every single one linked to a memory, a party, an evening or just a moment.
Worries about presents and that last exam are gone as the third musician of the night sings songs about chestnuts and fires and Jack Frost nipping at noses.
These Christmas traditions are things we all share. The Christmas Crazy that sets in every December 1st and makes young and old suddenly crave satsumas and mulled wine and all the other things you never even think about during the other eleven months of the year. The Christmas Crazy that sometimes leaves you running about endless shopping centres, but just as often reminds you to sit quietly by the window to listen to the whispers of snow gently falling.
Eleven people are gathered around the table, cups of coffee and tea are lining the window sills. The table isn’t for coffee cups, the table is for working. There shouldn’t be enough room for everyone to roll out their dough, to stamp out gingerbread angels and stars, but there always is. Around this table, there is room to grow, there is space for everyone. An evening like this one gathers us all, and around this table there is room for quirks, for habits and traditions, for the weird and for the wonderful, for emotions, for the happy.
We sing along, we dot our noses with flour. We taste the cookie dough and revel in the smell wafting from the oven. Everyone’s hard at work, and like every year, Christmas comes running when we invite it in.
Like every year, the magic of the Ginger Bread ensures that the Christmas fairytale stops by our house too. Like every year, the Christmas Crazy ensures that Christmas hangs up its coat and takes off its shoes, and makes itself proper at home.
Sometimes I feel like there is this notion that poetry has to be gritty to be good, that poems have to make you cry to be worth something. I agree that poetry is a wonderful platform to rebel, to be angry and to talk about stuff it feels like you can’t talk about anywhere else. Poetry is honest, it’s raw and it’s unmasked. But it’s also cosy and safe and comfortable. Poetry can just as well leave you feeling all warm inside, it’s just as valid when a poem makes you smile, makes you giggle, makes you let out that breath you’ve been holding for a little too long.
Poetry belongs where we’re feeling safe, it belongs before bedtime on a Monday, and tucked in under a blanket, hot chocolate in hand on a Sunday morning.
Welcome to my bed; welcome to floral bedsheets, a baggy pyjama t-shirt, my face with no makeup on. Have a poem I wrote a little over two years ago, a poem about all the wonderful tomorrows we hope will be granted us one day. Let’s all be so lucky.
I’ll let the video speak for itself, and if you want to read the poem before, after or while listening, here’s the written version.