“Mina”

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Yesterday, alumni and current students of the UoW’s Creative Writing programme gathered to celebrate the programme’s 10 year anniversary as an independent single-honours degree. It was a wonderful night, with speeches, music, quizzes about the lecturers, a “memory fireplace” (a fancy fireplace we stuck memories written down on post-it notes on) and lots and lots of readings. Stick about 50 writers together in a room, and you won’t believe how many great, weird, thought-provoking and heartbreaking pieces you can find. There was everything from poetry to short stories to song lyrics, and the red thread that wove itself through the night was just to celebrate this course and how much it gives its students, how much it shapes us as people. A feel-good night with wine and beautiful dresses, chill formal, with lots of applause and a warm atmosphere.

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At the same time, we also ” celebrated” the launch of the 2018 edition of Vortex. Vortex is the uni’s literary magazine, open to submissions from everyone (not just students). This year’s edition is a bit special, however, as it is the first issue that has been created by students, with third-year Creative and Professional Writing students forming the editorial board, marketing- and design team. I’ve wanted to submit work to Vortex since receiving a copy in the “welcome to uni”-pack in first-year, but it wasn’t until the end of second-year I managed to gather up the courage to actually send anything in. Now I’m so glad I did. The 2018 edition is an absolutely beautiful magazine, illustrated by Kat Beatson, and filled to the brim with great poems and short stories. It doesn’t have a specific theme, but to quote someone from the launch yesterday, it’s got a quiet vulnerability to it, at the same time as it’s fierce and weird. If you’re in Winchester, it’s definitely something to check out.

Andrea Wold Johansen, Vortex 1Andrea Wold Johansen, Vortex 3Andrea Wold Johansen, Vortex 2

I was also fortunate enough to be able to read the piece I submitted to the magazine at the launch, and if you want to read it, you can find it here!
It’s a piece I wrote in second-year, based on research done on children’s fiction as a platform to talk to children about difficult subjects. It’s also what started my dissertation, and it was weird to revisit and read it, now that it’s almost a year old.
I do like it and am quite proud of it, though.

Screen Shot 2018-04-13 at 16.19.04The proper pictures in this post are by Ben Coleman, you can find his work here.

And if you want to listen to it while reading, here’s a video!

(And sorry for all the links here, but if you wanna check out some of the short stories I’ve been lucky enough to get published or any poetry performances I’ve been a part of, then just click here or go to the “Pieces and Performances” page in the header bar!)

-Andrea

“The Bellerophon”

The best part of doing a Creative Writing degree, is that you get to play with so many different genres that you may never have explored on your own. One module I’ve really enjoyed this semester has been one about writing Historical Fiction, a type of fiction I’ve never had any proper experience with. It took a while to get into it, to see all the possibilities and understand the amount of research that’s necessary to write good historical fiction, but I got there in the end, and it ended up being one of my favourite modules out of all three years at uni. I think what I’ve come to really enjoy about Historical fiction in general, is that it just shows how people have always been people; we’ve fallen in love, we’ve been angry, we’ve been awkward and hopeful, for as long as we’ve been around.

I started off the semester by thinking I wanted to write my piece about Jeanne de Clisson, the Lioness of Brittany, a badass lady who basically became a pirate out of revenge, in 1340’s France. However, research makes you fall down weird rabbit holes, and somehow I ended up reading about the British prison hulks on the Thames, in the late 1700s-early 1800s. I also got into reading about the Battle of Trafalgar (something we learnt very little about in History in Norwegian schools), and I found out that a lot of the prison hulks were “retired” battle ships. Imagine serving out a jail sentence on a ship you once fought for your country on, was a thought that just couldn’t leave me, and I started spinning this story about a man who was sentenced to jail for desertion, and ended up serving his sentence on the same ship which he had tried to desert from. It became a short story I really enjoyed writing, and it was fun to be able to try out a bit more “pretentious”, old-fashioned language. Hopefully not too pretentious or old-fashioned though, I feel like there is a fine line between creating a feeling of “old”, and just boring your readers, when it comes to Historical Fiction.

However, if you want to read the piece, I’ve put it here under the “Read More” bar.

Thank you!

Question of the Day: Do you like historical fiction? If so, why?

-Andrea

“The Bellerophon”
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“Yellow Flowers on the Kitchen Table”

We met in 1952, and I remember her dress from the first day of college. It was red and I asked her out a week after I saw her for the first time. She declined. We still talked though, and I still noticed her. Noticed how no matter how hard she tried to pin her hair away, it would always fall into her face, and how her eyes always wondered why to everything. Then, a year later, after we’d had a bit more time, almost set fire to our homeroom together and passed all the exams we’d studied for, her red pen next to my black, she asked me out. We danced a slow dance by a jukebox, listening to Nat King Cole.

     It’s very clear our love is here to stay, not for a year, but forever and a day. Read More