I love my job.
I work in a cathedral; I translate and interpret, and function as a guide during the tourist season.
I am not a Christian, but no doubt do I work in someone’s place of worship, and there is something quietly comforting about that.
As I wash the pews – soap, water, tools to remove old chewed up gum – maybe left there by bored kids on a Sunday that dragged on – from even older wood, someone is lighting candles for a family they hope to see again soon. While I’m relaying interesting facts to tourists, about the spire that went missing in ’45 and how all Norwegian churches don models of ships, someone is sat quietly in mourning. As I refill the oil lamps in the candles on the altar, I think about how I’m lighting the fire that someone may find their God in today. It is a privilege to work in a place that can bring people peace.
As I find myself in this church for eight hours a day, it is easy to forget the holiness the people that visit will bring to these walls, the wooden domed ceiling, the stained glass windows of old. But for eight hours every day, I get to be a part of people’s journeys. I see them enter through the oak doors, and as the church room reveals itself, I see their reactions; as varied as the people.
Some cross themselves, some take pictures for the annual family holiday album, some just stand. Quietly. Some people enter this room that I put on my uniform and go to work in everyday, and they have to take a second to breathe before they enter.
I’m grateful to be working in this building, with its doors wide open to a bustling city, and centuries of life lived and years passed visible in the wear on the rugged stone steps.Church bells tell me when another day has passed, and on the daily I handle artefacts that have existed more than 200 years longer than I have. Everyday, I work accompanied by organ music, from more than 4000 pipes.
This building isn’t just holy because a religion says it is, its holiness lies in its history, in the people who sought refuge in its halls, in the music and the songs that have seeped through the doors and out into the city for generations. It is holy for the children who sees the aisle as too long a straight stretch not to race down, and for the older generations who made these pews their home when they were still so young that their parents braided their hair at night.
This place is holy because of the woman that comes in everyday. The woman who walks quietly in and lights four candles in a little cluster, where others normally just light one. She lights them like a family holding around each other, flickering together.
I’m not a Christian, but no doubt I’m working in a holy place.